A modern-day Renaissance man, the Thai-born, British-raised Ou Baholyodhin has dabbled in all kinds of design, from home and hospitality interiors to furnishings to bathroom appliances; he even penned his first book in 2000, Living with Zen. After founding his own design practice, Ou Baholyodhin Studio, he was appointed the creative director for home furnishings at Thai silk company Jim Thompson, which is largely credited for revitalising the country’s silk industry in the 1950s. We caught up with Ou on a visit to Hong Kong to scope some of his design inspirations and explore his favourite destinations.
Which piece are you most proud of designing?
There’s a chair I designed very early on called the HK97, which commemorated the handover. I see this piece next to me every day and I still think it’s the most beautiful thing that I’ve done. There’s not much to it, not much glamour – it’s such a simple thing, but it looks and feels right. There are good proportions to it. It’s something I never grow tired of.
Image: Menam fabric, courtesy of Jim Thompson
What’s your colour or colour palette du jour?
I always imagine this wonderful skyscraper with bronze and steel metalwork, with glass, a polished marble floor – all of these together to create this opulent 1930s feel. You never get that look without having some kind of metallic.
Image courtesy of Bob Bob Ricard
Favourite restaurant?
I love the restaurant David Collins did: Bob Bob Ricard in Soho in London. It does modern British food. One of its special features is this little bronze button next to every table with a label that says press for champagne underneath. There’s a really wonderful use of materials and a sense of colour. It’s really stylish and makes you feel like you’re on a really wonderful night out. You feel so pampered by the interiors and the staff. It’s a really special restaurant experience.
Image courtesy of ThinkStock/VanderWolf-Images
Favourite travel destination?
I haven’t been on a long trip since before I moved to Thailand, which was in 2007 in Morocco. I spent three months there. For the first time, my partner and I said, What if we don’t set an end date and keep travelling? Until we say, ‘Yep, we’ve had enough, we’re happy to go back to work.’ That never happened; we just kept travelling and travelling and didn’t want to go back. I think it was one of those life-changing trips – wandering about, not really having an itinerary, not having a cut-off date, not having a home or anything to anchor you. It was a really powerful , once-in-a-lifetime experience. And that was when I didn’t have an iPhone – and even if I did there was no 4G connection – so I was really nicely and cleanly cut off from the rest of the world.
Image courtesy of Landmark, Hong Kong
Can you name a designer who’s been particularly inspiring to you recently?
I met a Belgian designer, Gert Voorjans, a couple of months ago. I found his aesthetic and use of colour really inspirational. He’s good friends with Dries Van Noten and he did the stores in Europe; he’s done the store here too. The stores are very colourful and eclectic – they have a lot of European pieces mixed with Chinese pieces, crazy colours and print and embroidery. There’s a real sense of enjoyment in textiles and decorative pieces, and a real freedom of expression, which I love.
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