Eric Yim, a UK-registered architect and design entrepreneur, has significantly shaped Hong Kong's design and business landscape. As founder of POSH Office Systems (HK), he has transformed a local furniture brand into an international enterprise while serving as the chairman of the Hong Kong Design Centre.

His extensive advisory roles span multiple institutions, including Our HongKong Foundation, Hong Kong Polytechnic University, Laboratory for Artificial Intelligence in Design, among others. In recognition of his contributions across business sectors, Yim was appointed Justice of the Peace in 2015.

How did you get into architectural design, and what did you do before becoming an architect?

Before I worked as an architect with Pritzker Prize winner Sir James Stirling, I graduated with a Master's Degree in Architecture from the University of Cambridge. As for my undergraduate years, I studied Architecture at the University of Manchester, where I earned a First Class (Hon) Degree in BA and a B.Arch Degree with distinction.

My journey in education began in a technical school in Hong Kong, where I gained invaluable skills in spatial understanding through technical drawing lessons and explored material characteristics in hands-on workshops with wood and steel. This practical experience was complemented by my development of art and communication skills through sketching and model-making, which allowed me to translate concepts into tangible forms.

In addition to these specialized subjects, I engaged with a comprehensive curriculum that included Physics, Chemistry, Mathematics, History, and Geography, all of which enriched my knowledge and prepared me for the complexities of architectural design.

This multifaceted education has not only shaped my technical abilities but also fostered a holistic perspective essential for a successful career in architecture.

How do you define good design?

Good design, whether in product development, interior spaces, or architecture, can be defined by a combination of functionality, aesthetics, sustainability, and user experience. At its core, good design effectively meets the needs of its users, ensuring that a product or space is intuitive and easy to navigate. A well-designed object or environment should be visually engaging, enhancing the emotional connection between the user and the design.

Sustainability is another critical aspect of good design, emphasising the responsible use of materials and energy, as well as the longevity of the product or space. Designers should consider the environmental impact of their choices and strive to create solutions that are not only beautiful and functional, but also eco-friendly. Lastly, good design often embraces innovation, pushes boundaries and explores new ideas while remaining practical.

You've pointed out the importance of "multidimensional" design thinking for sustainable business growth. Could you elaborate this perspective?

The concept of "multidimensional" design thinking is pivotal for fostering sustainable business growth because it encourages a comprehensive approach to problem-solving that integrates various factors and perspectives. This methodology goes beyond traditional linear thinking and embraces complexity, allowing businesses to innovate in ways that are both effective and responsible.

We first need to adopt a holistic perspective. Multidimensional design thinking recognises that challenges are interconnected. By considering social, environmental, economic, and cultural dimensions, businesses can develop solutions that are not only effective in the short term, but also beneficial in the long run. This holistic approach enables organisations to address root causes rather than merely treating symptoms.

Cross-disciplinary collaboration is also paramount. Sustainable innovation often requires insights from multiple disciplines.

Multidimensional design thinking promotes collaboration among diverse teams - bringing together experts in design, engineering, marketing, sustainability, and behavioural science. This collaboration enriches the ideation process, leading to more well-rounded and innovative solutions that cater to various stakeholder needs.

Meanwhile, we need to embrace a user-centric approach. A core tenet of design thinking is empathy for the end user. By deeply understanding user needs, preferences, and pain points, businesses can create products and services that resonate with their audience. This user-centric approach fosters loyalty and engagement, which are critical for sustainable growth.

Which city provides the most inspiration for your designs?

For me, London is a rich source of inspiration due to its unique blend of history, culture, diversity, and innovation.

London is one of the most diverse cities in the world, with a rich tapestry of cultures, languages, and traditions. This cultural variety fosters an environment ripe for creative exchange and collaboration, allowing me to draw inspiration from a multitude of perspectives and experiences.

Can you name a book, movie or music track that has significantly inspired your designs?

The film "Inception", directed by Christopher Nolan, is particularly inspiring as the movie explores the concept of shared dreams, where architects create entire worlds within the subconscious. These dreamscapes allow for the bending and breaking of physical laws, resulting in visually stunning and mind-bending environments.

What does 2024 mean to you?

As the chairman of the Hong Kong Design Centre (HKDC), chairman of the advisory committee of the School of Design at PolyU, and honorary chairman of the Hong Kong Furniture and Decoration Trade Association (HKF&DA), the years 2024 marked a transformative period brimming with exciting opportunities and collaborations.

By bringing France as the partner country for the "Business of Design Week", HKDC aimed to bridge cultural and creative exchanges that would enrich the design landscape in Hong Kong. The alignment between Maison&Objet and HKF&DA further enhanced this vision, fostering international partnerships that elevated local craftsmanship and innovation.

Additionally, the completion of the architectural project of the DX Design Hub will serve as a tangible testament to the integration of design, furniture, and architecture, providing a vibrant space for collaboration, creativity, and inspiration. Collectively, these initiatives will not only strengthen Hong Kong's position as a global design hub, but also cultivate a thriving community that celebrates and advances the interconnectedness of these disciplines.

Any advice for young architects/interior designers in Hong Kong?

Absolutely! First, seck feedback. Constructive criticism can be invaluable for growth. Share your work with peers and mentors to gain insights and suggestions for improvement.

Also, be open to learning. The design field is vast, and there is always something new to learn. Stay curious, attend workshops, and consider pursuing further education or certifications to deepen your knowledge. Don't forget to build a strong portfolio. A well-curated portfolio is essential for showcasing your skills and style.

Include a diverse range of projects that highlight your versatility and creativity. Then, you should stay resilient. The design industry can be competitive and challenging. Embrace setbacks as learning experiences, stay passionate about your work, and be persistent in pursuing your goals. By focusing on these areas, young architects and interior designers in Hong Kong can carve out successful and fulfilling careers while contributing positively to the city's vibrant architectural landscape.